posted on 2019-05-08, 14:02authored byGabriela Merlinsky, Paula Serafini
In Argentina and other Latin American countries, the commodification of nature and the
expropriation of territory are being challenged due to their impact on common goods. This article
analyses expressions of resistance to these processes that adopt artistic forms and languages in
order to intervene public discourses and public spaces. We investigate the ways in which the
definition of the commons is produced through three different media: documentary film, visual
arts, and creative interventions in the public space.
En Argentina y otros países de América Latina, la mercantilización de la naturaleza y la
expropiación del territorio son objeto de cuestionamiento por su afectación a los bienes comunes.
Este artículo analiza aquellas expresiones de resistencia a estos procesos que asumen modalidades
y lenguajes artísticos para la intervención en espacios y discursos públicos. Investigamos de qué
manera se produce la definición de lo común en tres medios: el cine documental, las artes visuales,
y las intervenciones creativas en el espacio público.
History
Citation
Ecología Política, 2019
Author affiliation
/Organisation/COLLEGE OF SOCIAL SCIENCES, ARTS AND HUMANITIES/Department of Media, Communication and Sociology
Version
AM (Accepted Manuscript)
Published in
Ecología Política
Publisher
ENT Foundation and Icaria Editorial
eissn
2604-6091
Acceptance date
2019-04-30
Copyright date
2019
Publisher version
https://www.ecologiapolitica.info/?p=11731
Notes
The file associated with this record is under embargo until 12 months after publication, in accordance with the publisher's self-archiving policy. The full text may be available through the publisher links provided above.