posted on 2016-11-14, 16:14authored byKenneth Weir
[First paragraph] review of
Bernard, M. (2014) Selling the Splat Pack: The DVD revolution and the American horror
film. Edinburgh University Press: Edinburgh. (HB/PB, pp 224, £70.00/£19.99, ISBN
978-0748685493)
"The final girl... alone looks death in the face, but she alone also finds the strength
either to stay with the killer long enough to be rescued… or to kill him herself."
(Clover, 1992: 35)
Horror has changed; the oft-repeated generic convention and plot line of the final
girl described by Clover (1992) has been supplanted by a range of newer tropes
and situations where nobody (final girl or otherwise) is safe. This change has also
resulted in a shift in audiences’ perspectives: before we would identify with the
final girl at the conclusion of the film and the narrative, but now we identify with
the killer and monsters of horror. This shift has introduced new terrors for
audiences to explore, and has also brought with it an opportunity to study horror
from a different perspective.
History
Citation
Ephemera : Theory and Politics in Organization, 2016, 16 (3)
Author affiliation
/Organisation/COLLEGE OF SOCIAL SCIENCES, ARTS AND HUMANITIES/School of Management