posted on 2019-07-29, 15:03authored byIlaria Boncori, Jo Brewis, Luigi Maria Sicca, Charlie Smith
[First paragraph] This special issue emerges from the 35th Standing Conference on Organizational
Symbolism which we co-organized and which was held at the Faculty of Economics,
Management Department, Universita’ degli Studi di Roma La Sapienza in Rome in July
2017. The conference and the issue alike were inspired by the longstanding use of the
notion of flesh in academic investigations of the more or less porous boundaries
between the self, others and the world around us. Flesh, these works suggest, is both
ontologically slippery and definitionally elusive. For Maurice Merleau-Ponty (1964),
flesh reconnects the viewing and the visible, the touching and the touched, the body and
the world. Perception itself is a fleshly - auditory, visual, gustatory, haptic, olfactory -
activity. Moreover, as Antonio Strati (2007) points out in his discussion of the
connections between practice-based learning and ‘sensible knowledge’ in organizations,
when we perceive others, we always perceive them as fundamentally corporeal.
Equally, the world acts upon our flesh, so that what or whom we touch, see, smell, taste
and hear may also touch, see, smell, taste and hear us. Elsewhere, Michel Foucault
locates modern western scientia sexualis as having its origins in the earliest years of
Christianity and its confessional regime which seeks to unearth ‘the important secrets
of the flesh’ (1977, 154) as the deepest truths of the human subject. In this reading, flesh
is the natural body, always and irrevocably bound to sin and to death.
History
Citation
Culture and Organization, 2019, 25(4)
Author affiliation
/Organisation/COLLEGE OF SOCIAL SCIENCES, ARTS AND HUMANITIES/School of Business
Version
AM (Accepted Manuscript)
Published in
Culture and Organization
Publisher
Taylor & Francis (Routledge) for Standing Conference on Organizational Symbolism
The file associated with this record is under embargo until 18 months after publication, in accordance with the publisher's self-archiving policy. The full text may be available through the publisher links provided above.