posted on 2019-04-26, 14:00authored byGuy Barefoot
The American drive-in cinema has often been known as a ‘passion pit’ or a ‘passion pit with
pix’ and been associated with dating or delinquent teenagers. The label was frequently
invoked in the 1950s, but often by those who insisted that drive-ins were well-policed
spaces appealing to family audiences both as a film-viewing venue and for its accompanying
attractions. This view was largely supported by surveys such as those undertaken by Rodney
Luther in 1949 and 1950. The drive-in has also been seen as an inclusive space, appealing to
those who felt excluded from indoor cinemas. In examining these differences, this study
traces the ‘passion pit’ label back to its teenage slang roots and examines the different ways
the label has been used and understood. It draws on diverse forms of evidence, from trade
press reports to legal records, establishing the heterogeneity of the drive-in cinema, the
drive-in audience and how that audience behaved, while also raising questions about the
limits of this evidence.
History
Citation
Participations: journal of audience and reception studies, 2019, 16 (1)
Author affiliation
/Organisation/COLLEGE OF SOCIAL SCIENCES, ARTS AND HUMANITIES/School of Arts
Version
AM (Accepted Manuscript)
Published in
Participations: journal of audience and reception studies