posted on 2015-07-22, 16:22authored byS McCorristine
The recent sale of a human skull at an auction in Sussex should raise ethical concerns. Whenever human body parts are sold or put in a glass case and displayed for public view people should be provided with context and extensively informed about what they see. The gaze is never innocent, and to ignore the particular journeys that body parts take into auction rooms, anatomy departments, and museums is to be complicit in acts of historical injustice. In this case the skull was that of John Parker, who was executed by hanging in 1813. The likelihood that this was illicitly obtained by medical professionals means that the sale of the skull at auction two hundred years later is fraught with ethical problems. Along with a discussion of context, fragments like Parker’s skull must therefore also become part of a debate about consent. Issues of context and consent can help us think about the display of human remains in museums in a manner that is intimate and ‘disturbingly informative’ (Mütter Museum 2014). However, the sale of Parker’s skull – described as an ‘antique piece’ in the press coverage (BBC News 2014) – is a reminder that the global marketplace in objectified body parts is disturbing in quite a different manner.
Funding
This article has been funded by the Wellcome Trust as part of the ‘Harnessing the Power of the Criminal Corpse’ project, grant number: 095904/Z/11/Z. The research was also supported by a Wood Institute Travel Grant at the College of Physicians of Philadelphia.
History
Citation
Journal of Conservation and Museum Studies, 13 (1) 2, pp. 1-7, 2015
Author affiliation
/Organisation/COLLEGE OF ARTS, HUMANITIES AND LAW/School of Archaeology and Ancient History