posted on 2007-07-13, 10:22authored byJocelyn Dodd, Eilean Hooper-Greenhill, Annie Delin, Ceri Jones, Renaissance, Libraries and Archives Council Museums, Colchester Museums
KEY FINDINGS:
DEFINING DISABILITY
• It is others - disability campaigners, charities, governments, museums - who have defined disabled people as a distinct group. Individual disabled people will not automatically relate to these definitions.
• Self-identification by groups is of crucial importance, even if others may find it uncomfortable or challenging.
• Deaf people, on the whole, want to be recognised as a cultural-linguistic
minority. They do not always identify themselves as disabled or as part of the
disabled community.
MAKING CONTACT
• The difficulties and complexities of engaging with different audiences and groups that museums categorise as disabled must not be underestimated.
• There is a need to recognise the ‘everydayness’ of disability whereby the margin becomes part of the mainstream.
HOW FAR ARE DISABILITY AND IDENTITY LINKED?
• The relationship between disability and identity was complex and often directly related to personal experience.
• A political identity is the preserve of a minority. We did not feel that participants in this research study felt a strong identity as disabled people except for those participants from the Deaf community.
ATTITUDES TOWARDS HISTORY, HERITAGE AND MUSEUMS
• Our participants took it as ‘given’ that history was important; however there was not an exact relationship between the value of history and its relevance to the individual. Interest in history was seen as more of a personal choice
• The ‘newness’ of such research for participants needs to be considered when analysing their responses; this research deals with issues that people have not been asked to think about before nor do they think about on a daily basis
(MIS)REPRESENTATION OF DISABLED PEOPLE IN MUSEUMS
• Disabled people are invisible or misrepresented in museum collections.
• Commonly recurring stereotypes that see disabled people as pitiable and
pathetic, as freaks, as objects of ridicule, as a burden or as incapable can be
identified.
• There was not a single collective viewpoint from our participants, nor were they were altogether confident or assertive about presenting the history of disabled people in museums.
• The lack of a strong identification with the political meaning of ‘disabled’ tended to be linked with a lack of clarity and confidence about how disabled people should be represented in museums.
• For those participants who demonstrated a strong, collective identity, like the
Deaf community, there was a greater clarity in terms of the role that museums
could play in representing their culture and history.
ADDRESSING THE IMBALANCE
• Participants had no models of what museums could do to show the history and culture of disabled people.
• No easy answers have been revealed from our research into how disabled
people view the roles of museums in representing their history. The greatest
challenge for museums is negotiating between diverse positions.
Funding
From the summary: Colchester Museums commissioned this research project. It was funded by the Museums, Libraries and Archives Council (MLA) through the Designation Challenge Fund and the East of England Museum Hub Specialisms Fund. Colchester Borough Council also contributed to the funding.
History
Citation
Leicester, Research Centre for Museums and Galleries, 2006
Published in
Leicester
Publisher
Research Centre for Museums and Galleries, University of Leicester
Available date
2007-07-13
Notes
This report is also available as a Word document from the RCMG website, at http://www.le.ac.uk/museumstudies/research/rcmgpublicationsandprojects.html.