There have been recent contributions to the world city literature and the new
economic geography literature that have focused on city connectivity and practicebased
research, through concepts such as city actor-networks, relational
geographies and project-led enquiries. As this literature is developing, this thesis
aims to analyse and contribute to it by providing an empirical focus in two main
themes that have so far been marginalised in these literatures – the city of Sydney,
and the cultural industries. An alternative conceptualisation of world cities, namely
‘new urbanism’, which employs Actor-Network Theory, will be utilised in this thesis to
ask the question, what are the actants of Sydney’s cultural industries (specifically the
film and TV production industry), and how are they enrolled to create the spacing and
timing of Sydney’s actor-networks? By answering this question, this thesis will
contribute to the knowledge in three ways: theoretically, by adding weight to the
alternative concepts of new urbanism and relational economic geographies;
empirically, by studying two themes that have been hitherto underdeveloped in the
existing literature; and methodologically, through new developing empirical agendas
that cover the quantification of Sydney’s world city network and ANT-inspired
ethnographic, ‘project-based’ enquiry.